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The White Tiger: A Novel, by Aravind Adiga
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A stunning literary debut critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8).
The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society.
Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
- Sales Rank: #29053 in eBooks
- Published on: 2008-04-22
- Released on: 2008-04-20
- Format: Kindle eBook
From Publishers Weekly
Starred Review. First-time author Adiga has created a memorable tale of one taxi driver's hellish experience in modern India. Told with close attention to detail, whether it be the vivid portrait of India he paints or the transformation of Balram Halwai into a bloodthirsty murderer, Adiga writes like a seasoned professional. John Lee delivers an absolutely stunning performance, reading with a realistic and unforced East Indian dialect. He brings the story to life, reading with passion and respect for Adiga's prose. Lee currently sits at the top of the professional narrator's ladder; an actor so gifted both in his delivery and expansive palette of vocal abilities that he makes it sound easy. A Free Press hardcover (Reviews, Jan. 14). (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"—those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"—to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling.
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From Bookmarks Magazine
At the end of the novel, Balram predicts that "brown and yellow men [will be] at the top of the pyramid, and we'll rule the world." Certainly, The White Tiger is a parable of the "new India," a rapidly growing global powerhouse of middle-class call centers juxtaposed against crushing class conflict and corruption. In contrast with other Indian authors, Adiga does not sentimentalize such conflict; instead, like Richard Wright's Native Son, to which the novel was compared, he shows how savvy manipulators can rise above it. Most critics thought that Adiga brilliantly told this story with wit and pathos. A few, however, thought that he lectured in parts, caricatured extreme wealth and poverty, and missed an opportunity to say something meaningful about Balram's desperation instead of mocking upper-class life. Either way, Adiga is an author to watch.Copyright 2008 Bookmarks Publishing LLC
Most helpful customer reviews
7 of 7 people found the following review helpful.
Memorable Narrator
By Ubookquitous
4.5
Adiga's debut novel gives us on narrator who is, by turns, charming, repugnant, profound, egotistical, insightful, and much more, but always, always fascinating. Balram, when he introduces himself, is a self-made entrepreneur and a murderer. His story is told through a letter he writes to the Chinese Premier who will be visiting his country. His voice is unique and can stand with some of the best know 'narrators' of classic literature. That his is such a different voice from a underrepresented culture from much of the canon literature is perhaps what makes it more real - in that his tale is authentic to who he is, and the world in which he exists, but that world is likely so unfamiliar to the audience that it confounds expectation and forces us to look at our own stance and belief on many moral, philosophical, and religious topics.
Anyone who knows me, knows I tend to be highly critical of 1st Person narration for a number of reasons. To create a unique, memorable voice that tells the story is complicated - perhaps more so than many authors understand, despite 1st POV being the instinctual way to tell a story. Besides the need for a unique voice, 1st POV can only tell one story always filtered through the narrator and too often authors try to short-cut or work around this and find ways to tell another story that we are to believe is not filtered through the consciousness telling that story. Here, however, that is never the case. We are left with no doubt that the world Balram inhabits is all his.
Balsam offers to give the Premier insight into his country through his own tale of being born in a lower caste in the 'darkness', through his sporadic and limited education to the moment he gets lucky and becomes a driver for a wealthy man. Through his bizarre, amusing, shocking, winding tale, we do see an India that is far different than the Bollywood films or many popular books and films. Balram's world is filled with corruption, yet there is a level of honor within that established system. There is a hardness and a harshness to many of the lives presented, yet there is an acceptance of them that is surprising. Balram's life is one of service, yet he finds a door to freedom, albeit one that while revealed early on, takes an entire book to build to. When we first hear him refer to himself as a murderer, we want to dislike him - yet it is difficult to do. Bit by bit we are drawn into his world and his worldview. In the end, he participates in the very system he needed to escape from, but he does so on his own terms and with his moral sense in tact, leaving him feeling he at least is living in that system in a better, more moral way. The ability to convince the audience of the same is perhaps the real power of Balram, and Adiga.
My one criticism of the novel is that were moments that felt repetitive, that we'd covered that ground well and needed to move on. Fortunately, they were few and far between, and overall I was absorbed into Balram's world.
For this book, I alternated between the kindle version and the audio - and I have to say that the narrator on the audio version was excellent, bringing life to a diverse cast of characters with slight shifts in tone, rhythm, pitch, and subtly that was masterful. Considering the story is 1st POV, that the audio narrator had to filter all the characters through the storyteller, it was extremely well done because it felt like Balram was imitating those around him, giving us yet another layer of story.
4 of 4 people found the following review helpful.
Entertaining and disturbing all at once
By Leslie N. Patino
“The White Tiger” is written as a letter from Balram Halwai to the Chinese prime minister in which Balram offers himself as an example of an Indian entrepreneur. He tells of his impoverished childhood in a small village, a few years of schooling before his family sends him to work in a tea shop and how he eventually gets a job as the chauffeur for one of the married sons of the local wealthy family that controls everything in the village from the economy to the lives of the residents. The Americanized son and his wife are tasked with moving to Delhi and greasing any palms necessary to keep the family interests going. Balram quietly goes about his job—until the day he murders his boss—a fact he readily admits early on in the novel. He then uses his ex-boss’s money to start what becomes a very successful business.
Aravind Adiga does an exceptional, and often funny, job of weaving many of India’s problems into his tale: large scale poverty, rampant corruption, class inequality, inadequate education. He creates a poor but smart, hard-working protagonist you want to like and root for, but who is also a smug, amoral murderer. Balram seems so pleasant that I kept reading to find out what drove this seemingly docile man to murder. The implications of Balram as a symbol of lower class Indians (polite and eager to please while seething underneath), are plenty uncomfortable. Adiga never gets preachy or long-winded. Much like Mohsin Hamid’s 2014 novel, “How to Get Filthy Rich in Rising Asia,” “The White Tiger” entertains and disturbs all at once.
2 of 2 people found the following review helpful.
Emotionally Engaging Tale
By L. Farwell
This is the story of a man, Bairam who grows up in a poor, rural village in modern India where greedy landlords run the affairs of the village and government officials and politicians turn out to be either corrupt or incompetent. As a young man Bairam goes to work as a chauffeur for a wealthy family in Deli where he discovers how the rich live. In a moment of rage he kills his employer. He escapes to Bangalore where, while hiding from the police, he becomes a successful small businessman. In the telling his story, what Bairam is doing is describing the attitudes and experiences of millions of poor Indians. It is an emotionally engaging tale of challenge and survival with elements of dark humor, anger, revenge and, for many poor Indians, despair.
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